Funeral Doom Metal - Norway
Melancholy. Pain. Loss. Solitude. Those had been just some of doom metal main themes ever since bleak pouring rain and the sound of church bell in the distance gave birth to the genre on BLACK SABBATH self-eponymous debut over five decades ago. But how many musicians have actually been bearing in their very flesh those gut-wrenching feelings?
Anders Eek – FUNERAL’s founding member, drummer and undisputable leader since 1991 – doesn’t particularly see it as a badge of honour, but he’d be the first to admit that somehow, the “death and loss we had to go through over the years were extremely painful yet inspiring, as a musician and as a human being.” And indeed, ever since their very first rehearsal in a basement in their hometown of Drammen, just outside of Oslo, Funeral had been ridden with problems and tragedy. Originally inspired by CATHEDRAL and CANDLEMASS, they very quickly set out to create the most depressing and slowest form of doom/death possible at a time when their home country was being hailed as the birthplace of black metal. They went through several labels over the years, only to see them bust soon afterwards. Plagued by recurrent line-up problems, they even lost two of their key members Einar André Fredriksen (bass) and Christian Loos (guitar) in 2003 and 2006, respectively, to suicide and overdose.
But somehow, Eek never surrendered, but instead overcame all those obstacles by releasing over the years a slab of classics, each with its own, distinct personality, from the utter misery of the delicate yet none-so-extreme 1995 debut album ‘Tragedies’ to the more melodic and accessible 2001 gothic/doom masterpiece ‘In Fields Of Pestilent Grief’ or 2012 symphonic masterpiece ‘Oratorium’. Still, after the band most recent performance in Antwerpen on February 3, 2018, “life got in the way” as Anders puts it. “Some of us had kids, others moved out. Even I had quite a lot of things going on in my personal life and, at least for a while, maybe less drive to keep on carrying on the weight of the band on my shoulders. I never stopped writing music though because it’s something I’ve always done anyway. But there were less things happening you know. During that nine-year gap, I could have written ten albums but I only wrote two ah!”
The beast did sleep less than two years though as the following year singer Sindre Nedland, who had joined FUNERAL for ‘Oratorium’, “woke up from his slumber and told me he was ready to focus music again. I had the whole music demoed and ready, so it quickly snowballed from there.” For the first time ever, not only are the lyrics fully in Norwegian but they were also written by an outside collaborator, a “personal friend” of Anders who happens to be a psychologist. “He’s both a close friend and a fan of the band. So, he knows exactly how I roll and what the band is all about. I knew he was writing on the side so one day about five years ago, I asked him as a joke almost ‘hey, why don’t you write lyrics for my band instead?’ and within five months, he did! His lyrics are more or less his take on philosopher Emmanuel Kant’s work. Initially, I thought about maybe translating them to English, but it would have meant redoing them so in the end, we choose to keep them as they were. The booklet will include a little text explaining what they’re all about for those who don’t speak Norwegian.”
Musically, Anders describes ‘Praesentialis in Aeternum’ (something along the line of “here eternally”) as a “natural progression. I know we have some fans who are only into the first albums and those who discovered us in the early 00’s but this new opus has a little bit of everything for everybody. The symphonic elements are far more bombastic yet much well more done, thanks to the evolution of technology since ‘Oratorium’. It’s in a way a mixture of our three last albums yet our most diverse work yet, with both quite concise and very epic pieces. As a matter of fact, we recorded something like ten songs but vowed to choose only the six best to get the best album possible.” Among them you’ll find one originally written during their third album |From These Sounds’ session, one co-written with former founding member Thomas Angell (who left in 2000) and, in the deluxe version, a CANDLEMASS (‘Samarithan’) cover version originally recorded back in 2005 with their then singer Frode Forsmo, thus linking ‘Praesentialis in Aeternum’ with the band’s past history. Also guesting on ‘Ånd,’ the first single off the record, is Lars Nedland, Sindre’s own brother of BORKNAGAR and SOLEFALD fame. It’s also the first album for their new partner, Season of Mist.
Since the album was completed, the now septet has welcomed for the first time ever a full-time violin player “to perform live most of the strings you can hear on our albums as soon as we’ll be able to go back on stage.” In the meantime, Anders confesses the next album is more or less “finished. ‘Praesentialis’ could have been released earlier if we hadn’t to face all those COVID-related problems. We couldn’t meet in person, let alone rehearse or even just take promo pictures… But now we have a new label, a new line-up and a totally renewed sense of energy so why stop there? FUNERAL started thirty years ago be truth be told, it’s never been stronger. So, doom on!”
FUNERAL returns with their latest soul-crushing masterpiece, Gospel of Bones. This is no mere album; it is an emotionally wrenching journey into the abyss of sorrow and the resilience of the human spirit.
In the raw, unyielding embrace of doom metal, few bands have tread the line between despair and catharsis as poignantly as FUNERAL. The Norwegian titans of sorrow unveil their newest single, Procession of Misery, from the upcoming album Gospel of Bones, a requiem carved out of the ice and darkness of the human soul. Hailing from the desolate climes of Norway, FUNERAL have built their legacy on crafting epically melancholic soundscapes that resonate with the profound depths of grief and loss. As stalwart guardians of the funeral doom metal genre, their tones are as weighted as the bowed boughs of winter. In Procession of Misery, they carry forward this legacy, leading listeners through a morose symphony of sorrow. With Anders Eek’s crushing riffs and the ethereal lament of Eirik Krokfjord, the track embodies the soul-crushing bleakness that defines FUNERAL‘s sound. The track is a dirge, a solemn march into the abyss, punctuated by relentless funeral drums and melodies that etch sorrow into the night sky. Produced by the venerable Børge Finstad, Procession of Misery leads the vanguard of an album that declares FUNERAL’s sovereign command over the genre. It’s a song that doesn’t shy away from staring into the void but rather finds a haunting beauty within it.Listen to Procession of Misery now on the Season of Mist YouTube channel: https://youtu.be/ygYotAPsFDc
Today, FUNERAL returns with Yestertear, the haunting second single from their forthcoming album, Gospel of Bones. FUNERAL weaves a somber yet resilient tale through their melancholic soundscapes. Yestertear is a cathartic vessel, sailing through the darkest waters of human grief and emerging on the shores of mournful beauty. Produced by the legendary Børge Finstad and adorned with the ethereal harmonies of Ingvild “Sareeta” Johannesen, Gospel of Bones is an opus of mourning carved in nightmarish tones and relentless dirges. Each track meticulously showcasing the band’s mastery in articulating the grim yet inspiring journey through pain and loss. On Yestertear, the listener drowns in intricate melodies and the profound anguish woven with care by the hands of the Anders Eek (Drums, Guitars, Vocals) Erlend E. Nybo (Guitars), Rune Gandrud (Bass), Sareeta (Violin, Backing Vocals), Stian Kråbøl (Guitars) & Eirik P. Krokfjord (Vocals). Eek’s dismal symphonies echo through every note, leading us through the desolate beauty of remembered sorrow and past hauntings. Here, we are not merely passive listeners but fellow mourners, each phrase a whisper in the grand requiem of existence. ➤ Listen to Yestertear now on the Season of Mist YouTube channel: https://youtu.be/taZsXT5YNiw
In the shivering, twilight-stained expanses of Norway, where the frost gnaws at ancient stones and shadows linger under perpetual twilight, FUNERAL weaves their sorrowful tapestry with the unveiling of their harrowing new single, My Own Grave. This is the first elegy from their impending album, Gospel of Bones, a cavernous exploration of grief and resilience that promises to echo within the hollow voids of the hearts of doom metal aficionados.
Norwegian doom metal pioneers FUNERAL are now premiering their entire new album ‘Praesentialis in Aeternum’. The new record will be out this Friday via Season of Mist.
